5 History / Military eBooks

Thomas J. Craughwell, "Thomas Jefferson's Creme Brulee: How a Founding Father and His Slave James Hemings Introduced French Cuisine to America"
The Lost Battles: Leonardo, Michelangelo, and the Artistic Duel That Defined the Renaissance by Jonathan Jones
Niagara: A History of the Falls By Pierre Berton
The Mexican-American War, 1846-1848 (Men-At-Arms 56) By Philip Katcher, Gerry Embleton
Peter D'Epiro, "The Book of Firsts: 150 World-Changing People and Events from Caesar Augustus to the Internet"

Thomas J. Craughwell, "Thomas Jefferson's Creme Brulee: How a Founding Father and His Slave James Hemings Introduced French Cuisine to America"

2012 | ISBN: 1594745781 | 256 pages | EPUB | 6 MB

This culinary biography recounts the 1784 deal that Thomas Jefferson struck with his slaves, James Hemings. The founding father was traveling to Paris and wanted to bring James along “for a particular purpose”— to master the art of French cooking. In exchange for James’s cooperation, Jefferson would grant his freedom.
Thus began one of the strangest partnerships in United States history. As Hemings apprenticed under master French chefs, Jefferson studied the cultivation of French crops (especially grapes for winemaking) so the might be replicated in American agriculture. The two men returned home with such marvels as pasta, French fries, Champagne, macaroni and cheese, crème brûlée, and a host of other treats. This narrative history tells the story of their remarkable adventure—and even includes a few of their favorite recipes!

The Lost Battles: Leonardo, Michelangelo, and the Artistic Duel That Defined the Renaissance by Jonathan Jones
English | Oct 23, 2012 | ISBN: 0307594750 | 368 Pages | EPUB | 12,9 MB
From one of Britain’s most respected and acclaimed art historians, art critic of The Guardian—the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo.
We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic.
And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart.
In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape.
We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision.
Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael.
A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.

Niagara: A History of the Falls By Pierre Berton
2009 | 480 Pages | ISBN: 1438429282 | EPUB | 10 MB
Sometimes a place can be as good a subject for a "biography" as a person--and Niagara Falls turns out to be such a place. Fortunately, it found its ideal biographer in Canadian historian Pierre Berton, who chronicles its colorful history with a storyteller's verve. Niagara Falls was a sort of laboratory and breeding ground for a wide variety of American phenomena: carnivals and theme parks, destination tourism, industrialization based on cheap hydroelectric power, and the conservation movement, among others. Berton weaves all this together in a readable, well-paced book rich with anecdotes, memorable characters, and nicely crafted language.

The Mexican-American War, 1846-1848 (Men-At-Arms 56) By Philip Katcher, Gerry Embleton
1989 | 48 Pages | ISBN: 0850452538 | PDF | 3 MB
‘There never was so fine an American army,’ wrote second-lieutenant, John Sedgwick, in describing the troops under Major-General Zachary Taylor in 1846. Another then second-lieutenant, destined to see many more armies; U.S. Grant, also thought highly of them: ‘The rank and file were probably inferior … to the volunteers that participated in all the later battles of the war; but they were brave men, and then drill and discipline brought out all there was in them.’ Philip Katcher writes the story of the regulars and volunteers who fought in the Mexican-American War, detailing the infantry, cavalry, artillery and staff of both the American and Mexican armies.

Peter D'Epiro, "The Book of Firsts: 150 World-Changing People and Events from Caesar Augustus to the Internet"
English | ISBN: 0307388433 | 2010 | MOBI | 640 pages | 1 MB
The Book of Firsts is an entertaining, enlightening, and highly browsable tour of the major innovations of the past twenty centuries and how they shaped our world.
Peter D’Epiro makes this handy overview of human history both fun and thought-provoking with his survey of the major “firsts”—inventions, discoveries, political and military upheavals, artistic and scientific breakthroughs, religious controversies, and catastrophic events—of the last two thousand years. Who was the first to use gunpowder? Invent paper? Sack the city of Rome? Write a sonnet? What was the first university? The first astronomical telescope? The first great novel? The first Impressionist painting? The Book of Firsts explores these questions and many more, from the earliest surviving cookbook (featuring parboiled flamingo) and the origin of chess (sixth-century India) to the first civil service exam (China in 606 AD) and the first tell-all memoir about scandalous royals (Byzantine Emperor Justinian and Empress Theodora). In the form of 150 brief, witty, erudite, and information-packed essays, The Book of Firsts is ideal for anyone interested in an enjoyable way to acquire a deeper understanding of history and the fascinating personalities who forged it.



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